Among the Best Ever Piping Events in Ontario: The 43rd Livingstone Invitational

My first time attending the annual Livingstone Invitational piping contest was in 1980. Then I was a kid in senior amateur solo piping – “grade one”. Like now, I was a keener. Loved the piping. Like now, I thought I knew a lot more than I did. I was then taught by Bill Livingstone, Jr. – so likely had a sort of Livingstone bias: his Old Man – the founder of the gathering – was a great character, and, I have to say, I’m grateful to have known Bill, Sr. a little.
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MacCrimmon’s Sweetheart with Canntaireachd

A piece of music that is in the back pocket of most experienced players of piobaireachd is the tune, Maol Donn. Better known, maybe, as “MacCrimmon’s Sweetheart”. It’s a beautifully assembled composition that sits perfectly in a major key of the Great Highland Bagpipe’s tonal centre. In the context of piobaireachd composition, it’s a very old tune, likely composed in the early part of the 18th century, a golden age of piobaireachd creation. At around 12 minutes in length it’s just-right for an around-the-games sort of tune for competition.
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John MacFadyen plays “A Flame of Wrath for Squinting Patrick”

Here’s another tune offering from the late John MacFadyen, the Donald Mòr MacCrimmon composition, Lasan Padruig Coagach, known to so many of us as, A Flame of Wrath for Squinting Patrick. A singularly wild tune with nothing quite like it in our current repertoire.
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Worlds Week Beckons: Rottenrow, Glasgow 1992

The World Pipe Band Championships in Glasgow, Scotland, is looming large. Its set to go August 12-13 – just days away. Starting around now pipers, drummers and their supporters from outside of Scotland have begun making their way through what we’ve heard to be an unpleasant steeple-chase of under-staffed airports and, likely, less-than-smooth travel experiences (an aside: I’ve travelled from YYZ to GLA twice since October of last year: all has been fine – touch wood – so good luck to all, there’s hope).
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Full Concert: Live in Ireland 87 in HD (from Glasgow Royal Concert Hall)

A recap here for context for people not aware of this project:

Reid Maxwell and I were judging, September 2013, at Canmore Games in Alberta, Canada. In between bands Reid spoke of an Eagles concert he’d recently seen on Netflix and in that, the thought was triggered: wouldn’t it be great to play that 1987 “Live in Ireland” recording again: reprised and live – a sort of tribute band thing, a celebration of the music.
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Scenes from Cambridge Highland Games (1989!)

I’ve just had a bag full of old VHS videos digitized. They’ve been kicking around collecting dust for years; after having sourced a place for a digitization job for The Pipers’ & Pipe Band Society of Ontario, I thought I’d get my lot done at the same time.
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A Tune from John MacFadyen

The piobaireachd, Rory McLoude’s Lament has always been a favourite. The old Anglicized spelling of MacLeod is likely connected to its first appearance in the Campbell canntaireachd manuscripts. And, as this is the spelling chosen by the editors of book eleven of The Piobaireachd Society Collection (1966), this is how pipers generally spell the tune. But that’s enough on letters. It’s a fine piece; in fact, Joseph MacDonald, in his Compleat Theory (1762) described it as a “…very soft lament …”. This tune, too, was among the first I learned from the hands of Bill Livingstone. He, in turn, was taught this tune by John MacFadyen (1926-1979).
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Bill Livingstone & Outlander

This will be old news for avid readers of Diana Gabaldon‘s massively popular “Outlander” series of novels but it is news to me. This week, Sharon Duthart, in a random exchange related to mutual work, passed along an image her niece in Scotland had sent along – a phone pic of a page from an an Outlander book: The Drums of Autumn.
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Bill Livingstone on Lament for Mary MacLeod and Ceol Mor (generally)

I’ve known Bill Livingstone since I first met him as a young feller attending The Seaway School of Piping in 1981 where Bill was an instructor. The school was held each July centred in and around Ban Righ Hall of Queen’s University, Kingston, Ontario. Colin MacLellan directed the school and his, dad, Captain John MacLellan, the school’s principal instructor. I recall this because, in part, the video presented here has Bill talking a little about his time there and a pithy – yet monumentally important – piobaireachd lesson Captain MacLellan offered Bill related to piobaireachd interpretation. You’ll have to watch the video to glean that secret (33’15”) and the many others mentioned connected to interpreting the big music of the Great Highland Bagpipe.
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Backstory and Reflections: Live in Ireland 87 Project

Writing a blog has to be the ultimate in vanity exercises, or “vanity projects”, as is usually said when referring to almost anything a person undertakes that requires a healthy ego. We flatter ourselves imagining – or blindly assuming – that people are gagging to get a dose of our words and unsolicited opinion. I invite you (surely countless readers) to consider otherwise. But I do believe this to be true. A blogger rides the pud-puller that is the web log – the blog (come to think of it, Facebook musings are much the same).

It seems to me, too, that the blog can be that and something more. It can be this and that: in my words here, I try to also use this self-made forum as a record of stuff that happens to and around me. I guess you’d call that a diary. Yeah, that’s it; a diary. I’m not as a faithful a diarist as I’d like but when I look back on the last ten years of my dunaber blog I’m reminded of people, events and opinions changed and retained. So, in looking back, I’m happy I kept a little record of one part of my life.

With this in mind I want to provide a little context and reflect briefly on the “Live in Ireland 87” project, so in future years I’ll recollect and today you’ll know a little of the background of the thing.
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