Dunaber Music

John Wilson’s Finest Tune: Tom Kettles

In his autobiography, “A Professional Piper in Peace and War” (1979), John Wilson wrote that he considered his composition, the six-parted reel, Tom Kettles, his “finest composition”. It’s a technically tricky tune, full of interest – and original melody. As I’ve mentioned before, for me it straddles the line between hornpipe and reel, with maybe the reel vibe edging out that of the hornpipe by a hair. It’s a happy-sounding tune with a bright and lyrical – almost song-like – quality to it.
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Full Concert: Live in Ireland 87 in HD (from Glasgow Royal Concert Hall)

A recap here for context for people not aware of this project:

Reid Maxwell and I were judging, September 2013, at Canmore Games in Alberta, Canada. In between bands Reid spoke of an Eagles concert he’d recently seen on Netflix and in that, the thought was triggered: wouldn’t it be great to play that 1987 “Live in Ireland” recording again: reprised and live – a sort of tribute band thing, a celebration of the music.
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In Praise of Ear Learning

It dawned on me as I waded through the day’s Duolingo French exercises: learning a language is easiest by immersion; that is, to be constantly around the sounds of the language. To live it, to learn what the sounds mean, what they represent. In childhood, for instance, I’d have to think it’s often the things done wrong that prove to be the speediest way to ingrain words. As goes the old axiom: we most often learn best from the mistakes we make: “Mon Dieu! Idiot! Le poêle est chaud ! Tu t’es brûlé la main !”.
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A Banff Huff

It doesn’t matter if its parliament, a corporate board room, a church group or a pipe band, there’s at least one thing people have in common when they gather (oh, to gather): the huff. Huff is a funny sort of word. One syllable. It’s like one of those words that sounds like what it is – onomatopoeia. So huff, a mood of sulking anger, resentment.
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Advice from G S McLennan: “There are those who can …

George Stewart McLennan was not just a great player and composer; he was an important contributor to the evolution of the music of the Great Highland Bagpipe. In his approach to technique (meaning embellishments and associated phrasing) he was on the vanguard of the music’s transition from the 19th to 20th centuries.
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Online Piping Competitions

Hats off to New Zealand. This past Monday (June 8) marked the first day since February that there’s been no active cases of Covid-19. Among many other pleasant pre-pandemic freedoms, the country can again hold public events without limitations on numbers. Thinking of piping and pipe band competitions the Royal New Zealand Pipe Bands’ Association enjoyed a pipe case full of good luck in the timing of their final contest of the year. Presented in the South Island city of Invercargill on the weekend of March 13, the organization’s national championship came in just under the quarantine wire. I thought at the time it would be the world’s final pipe band championship of 2020. And I may be right (sadly). Barring, of course, some kind of online “championship” – just the kind of post-apocalyptic thing New Zealand pipers and drummers can take off their to-do – or worry – list.
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The Walking Dead of Qualifier Friday

With less than a score of grade one bands projected to attend the 2019 World Pipe Band Championships (and quite possibly an entry closer to ten than twenty) any case to be made for a Friday qualifier, or play-off, may likely come across as pretty weak. That the grade 4B contest in 2018 featured 18 bands in each run-off suggests that organizers have a perspective on optimum numbers for any contest (grade 4 is the less-experienced end of the grading spectrum, with grade one, the highest).

For those who aren’t dialled-in to the world pipe band thing – especially as it applies to the idiom’s premier grade – here’s context:
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Performance Options

A frequent topic of conversation in some pipe band, em, circles relates to performance options. For instance, is the three-pace roll start and march to centre field (where the band moves to centre stage and curtly turns their collective back to the audience) the best we can do? Except for the most change-averse, most interested in such things, I think, say a big “no”.
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Inspector Clueless of Gayfield

There’s never any shortage of drama, indignancy or high dudgeon in the small world that is piping. I read Rab Wallace’s blog the other day and seriously LOL’d when I read his description of the officiant connected with a judge’s complaint: “Inspector Clueless of Gayfield”. I can’t say why, exactly, I just laughed. Maybe because it was a riff on a classic pipe tune naming convention, and, well, who knows. Gold, I say. Rab has a way with words, there is no doubt.
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“Let me take your picture”

Here’s a classic example of one of those forced picture-taking moments (FPTMs). It’s not often anything good comes of it (see exhibit A below). Here, with my eldest sister, Jane (Campbell) is the 17 year-old me in my 48th Highlanders of Canada number ones (minus feather bonnet but still, with impressive head of hair, I must say … in those days it was always said to the barber, “just thin it out”).
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