So much easier, I know, to make multi-instrumental music without the untempered Great Highland Bagpipe getting in the way. But he says that’s not why the pipes were left in the cold box . His composer’s brain was in the key of funk apparently. And that was a good thing for this project. Think fuzzy-hatted brothers playing the Park Bar – if the Park Bar was in Detroit – or Chicago (if the horns are going like on “Under the Influence”).

The vocal tracks – the songs – stand-out. I thought he’d blown the budget when I heard the silky smooth “Lonely Man“, sure he’d hired James Taylor as guest. He didn’t of course (well he may’ve blown the budget but it wasn’t by booking JT). He’s built and sung a really good song.

I think Calum has to be the poster boy for piper-as-musician. It strikes me that most pipers think of themselves as pipers. Not musicians and certainly not artists. They’re pipers. Then there’s Calum: musician, artist and – by the way, by chance and by blood – a piper. A real MacCrimmon. His brilliant forbears invented and refined an art form. They, too, were musicians, artists and, lucky us, pipers.

I think we need more Calums. More musician-artist-pipers. More MacCrimmons.

I’m not sure about Scotland but I know there’re pieces of “Man’s Ruin” ready for commercial Canadian radio – and, all of it, for your Walkman or iPod thingie.

M.